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日本映画ファンの「創造」と「建設」 : 戦時下上海のロキシー（大華）大戯院
https://doi.org/10.32286/00026599
https://doi.org/10.32286/00026599f1cefe5c-6916-4eff-a7c7-167539109c9a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-0440-20220331-25.pdf (2.7 MB)
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| Item type | 図書の一部 / Book(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2022-05-11 | |||||
| タイトル | ||||||
| タイトル | 日本映画ファンの「創造」と「建設」 : 戦時下上海のロキシー（大華）大戯院 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_2f33 | |||||
| 資源タイプ | book | |||||
| ID登録 | ||||||
| ID登録 | 10.32286/00026599 | |||||
| ID登録タイプ | JaLC | |||||
| その他（別言語等）のタイトル | ||||||
| その他のタイトル | The Invention of Japanese Movie Fans : Roxy Theatre under Occupied Shanghai | |||||
| 著者 |
菅原, 慶乃
× 菅原, 慶乃 |
|||||
| 著者別名 | ||||||
| 姓名 | Sugawara, Yoshino | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Established in 1943 to exclusively screen Japanese movies, Roxy Theatre was located at the frontline of the "movie war" conducted by the Japanese military government. The theatre and its operator, the China Film Company, tried to open the way for Japanese films to expand into the Settlement, which was Japanese film policy's aim during wartime; however, this project of Japanese films' expansion did not proceed according to plan. One of the most rigid barriers to the project was that moviegoers in Shanghai paid little attention to Japanese films. This led the theatre to take various actions to arbitrarily manipulate Shanghai moviegoers' impressions of Japanese films. The theatre not only excluded Japanese films that contained elements they considered inappropriate but also re-edited original films to cut scenes that they thought misled Chinese moviegoers. Utilizing the cinema brochure, "Roxy," as their propaganda tool was their most significant action. According to the collection of the Asia Open Research Center of Kansai University, which has been digitalizing sixty-two volumes of Roxy, the brochure introduced a large number of Japanese movie stars by claiming that they had an "oriental appeal" to differentiate them from Hollywood movie stars and also that they deserved to replace Hollywood movie stars. Further, the theatre insisted on introducing Japanese historical drama, jidaigeki, to spread the notion of bushido, or the spirit of the samurai warrior, but in vain. The theatre also tried to organize a fan community for Japanese films, and the Japanese Film Fan Club was formed in January 1944, but it was discontinued seven months later. All these failures of the theatre indicated that it was not fully able to contribute to the expansion of Japanese films into the Settlement, although the staff operating the theatre was faithful to their mission. | |||||
| 図書名 | ||||||
| 収録物名 | KU-ORCASが開くデジタル化時代の東アジア文化研究 : オープン・プラットフォームで浮かび上がる、新たな東アジアの姿 | |||||
| 開始ページ | ||||||
| 開始ページ | 279 | |||||
| 終了ページ | ||||||
| 終了ページ | 293 | |||||
| 出版年月日 | ||||||
| 日付 | 2022-03-31 | |||||
| 日付タイプ | Issued | |||||
| 出版者 | ||||||
| 出版者 | 関西大学アジア・オープン・リサーチセンター | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 大華大戯院 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 映画館プログラム | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 占領下上海 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 租界 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ハリウッド映画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 日本映画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
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Cite as
菅原, 慶乃, n.d., 日本映画ファンの「創造」と「建設」 : 戦時下上海のロキシー（大華）大戯院: 関西大学アジア・オープン・リサーチセンター.
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