In spite of the losses and many accidents in the text’s transmission,the first part of Codex Salmasianus (Par. Lat. 10318) keeps accurately enough on the structure and the original content of an extensive poetic miscellany, assembled in Chartage immediately after the Vandalic domination (533-534). A new structural examination of the so-called ‘Salmasian Anthology’ has recognized the signs of an unitary project, which certainly goes back to the work of a single editor. Moreover, the emendation of a textual corruption at the beginning of the enigmatic Praefatio (AL 19 R.2 = 6 Sh.B.) has allowed to identify Luxorius not only as the leading poet of the anthology but also as the author of the Praefatio itself, and the editor of the whole collection.

Per la storia antica dell’Antologia Salmasiana. I. La composizione della silloge cartaginese e il suo curatore.

MONDIN, Luca
2010-01-01

Abstract

In spite of the losses and many accidents in the text’s transmission,the first part of Codex Salmasianus (Par. Lat. 10318) keeps accurately enough on the structure and the original content of an extensive poetic miscellany, assembled in Chartage immediately after the Vandalic domination (533-534). A new structural examination of the so-called ‘Salmasian Anthology’ has recognized the signs of an unitary project, which certainly goes back to the work of a single editor. Moreover, the emendation of a textual corruption at the beginning of the enigmatic Praefatio (AL 19 R.2 = 6 Sh.B.) has allowed to identify Luxorius not only as the leading poet of the anthology but also as the author of the Praefatio itself, and the editor of the whole collection.
2010
I
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/31474
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