Publication: Triunfar de la vejez y del olvido: sor Juana Inés de la Cruz escribe su retrato.
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2019
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Abstract
El estudio reflexiona sobre las relaciones entre
pintura y literatura en el Barroco a través del comentario del conocido soneto 145 de sor Juana Inés de la Cruz titulado "A su retrato". Los versos de Sor Juana muestran la íntima relación palabra-imagen que encumbró el arte barroco, caracterizado en el soneto de la Décima Musa a partir de elementos emblemáticos que estudiaremos en la revisión de los diferentes retratos que se conservan de la autora. Tanto en este poema como en otras referencias dispersas en su obra, la escritora mexicana recupera los tópicos principales de la poesía barroca para escribir sobre el artificio del arte y la contrariedad de verse reflejada en el espejo de la pintura, subvirtiendo los tópicos del género poético del retrato, de largo recorrido durante el Siglo de Oro.
The paper reflects on the connections between painting and literature in the Baroque period through sor Juana Inés de la Cruz's famous sonnet 145 entitled "To Her Portrait". Sor Juana's verses show a close relationship between word-image that exalted Baroque art, reflected in the Tenth Muse sonnet. In this study we will review different portraits of the author that have been reserved; in this poem as well as other references scattered references across her work, the Mexican writer recovers the main themes of Baroque poetry in order to write about the artifice of art and the contrariety of being reflected in the mirror of the painting. In this way, throughout the Golden Ages, the subjects of the poetic genre of the portrait are subverted.
The paper reflects on the connections between painting and literature in the Baroque period through sor Juana Inés de la Cruz's famous sonnet 145 entitled "To Her Portrait". Sor Juana's verses show a close relationship between word-image that exalted Baroque art, reflected in the Tenth Muse sonnet. In this study we will review different portraits of the author that have been reserved; in this poem as well as other references scattered references across her work, the Mexican writer recovers the main themes of Baroque poetry in order to write about the artifice of art and the contrariety of being reflected in the mirror of the painting. In this way, throughout the Golden Ages, the subjects of the poetic genre of the portrait are subverted.