In 1579, at the end of a career studded with prestigious assignments, Andrea Palladio designed for the Olympic Academy a “theater on an ancient model but small and unspeakably beautiful”, as Goethe wrote in his Journey to Italy. A planimetric form, a social function and architectural details, however, severely shows it off from the Vitruvian body of rules of classical theater, enhancing its originality and making it an invention rooted in late-Alexandrian architectures visited and surveyed by Palladio at the Hadrian's Villa in Tivoli.

Cattiodoro S (2018). Locus ovatus in formam amphitheatri constructus. Dal Teatro Greco di Villa Adriana al Teatro Olimpico di Palladio. ANANKE(84), 121-128.

Locus ovatus in formam amphitheatri constructus. Dal Teatro Greco di Villa Adriana al Teatro Olimpico di Palladio

Cattiodoro S
2018-01-01

Abstract

In 1579, at the end of a career studded with prestigious assignments, Andrea Palladio designed for the Olympic Academy a “theater on an ancient model but small and unspeakably beautiful”, as Goethe wrote in his Journey to Italy. A planimetric form, a social function and architectural details, however, severely shows it off from the Vitruvian body of rules of classical theater, enhancing its originality and making it an invention rooted in late-Alexandrian architectures visited and surveyed by Palladio at the Hadrian's Villa in Tivoli.
2018
Settore ICAR/16 - Architettura Degli Interni E Allestimento
Cattiodoro S (2018). Locus ovatus in formam amphitheatri constructus. Dal Teatro Greco di Villa Adriana al Teatro Olimpico di Palladio. ANANKE(84), 121-128.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10447/555094
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