According to the models of the so-called "Urban Musicology", the aim of this paper is to summarize the musical activity promoted by monastic churches between the Renaissance and the Baroque – in particular by the Jesuits – and, by examining data, to reconstruct the musical employees who probably existed in Palermo institutions, financial support for liturgical music and the multiple connections between music, power and social environment.
Grippaudo, I. (2010). How Music can dominate Space. The Patronage of Music by Religious Orders in 16th- and 17th-century Palermo.. In 2nd International Conference for PhD Music Students - Proceedings (pp.1-12). Thessaloniki : Aristotle University.
How Music can dominate Space. The Patronage of Music by Religious Orders in 16th- and 17th-century Palermo.
GRIPPAUDO, Ilaria
2010-01-01
Abstract
According to the models of the so-called "Urban Musicology", the aim of this paper is to summarize the musical activity promoted by monastic churches between the Renaissance and the Baroque – in particular by the Jesuits – and, by examining data, to reconstruct the musical employees who probably existed in Palermo institutions, financial support for liturgical music and the multiple connections between music, power and social environment.
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