La poetica fisionomica di Franz Kafka
Metadatos
Mostrar el registro completo del ítemAutor
Ferrari, DarioEditorial
Asociación Cultural Impossibilia
Materia
Kafka Physiognomy Immanence Grotesque
Fecha
2011-10-31Referencia bibliográfica
Ferrari, D. La poetica fisionomica di Franz Kafka. Impossibilia, 2: 13-31 (2011). [http://hdl.handle.net/10481/26210]
Resumen
This paper is an attempt to sketch out a eading of Kafka’s work based on the idea that the physiognomic principle is the pillar of his grotesque poetics. According to this principle, Kafka’s literary work is not to be interpreted (i.e. there is no eaning beyond it to look for) but it is instead to be read as an experimental machine that immanently produces its own sense. This anti-transcendent reading, which
makes use of some fundamental philosophical accounts (such as Deleuze and Guattari’s, Wittgenstein’s and Adorno’s), is developed in particular in two directions: on the one side the abolition of the subject and on the other side the creation of an anti-perspective and anti-metaphorical literature.