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The historical span of the discussion\nis confined to the Showa era, for the following two reasons:\n1) The modern system of producing popular songs was\nestablished at the very beginning of the Showa era;\n2) The distinct contrast between urban areas and the provinces,\ntogether with the social unrest in those days, motivated the\ntraveling and drifting of the people, and consequently brought\nthe travel songs or sight-seeing songs into fashion.\nIn this paper, travels sung in popular songs are categorized\ninto three types: outward travel, homeward travel, and\nwandering travel. Outward travel is motivated by a yearning\nfor some place and can thus be viewed as future-oriented travel.\nHomeward travel is motivated mainly by homesickness or some\nmemory of the past. Wandering travel is accompanied by\nhomesickness in many cases. The popular songs of the Showa\nera are reviewed according to these three types of travel.\nIn sections 1 and 2, the themes of travel in popular songs are\nsummarized, and then songs whose words contain place names\nor descriptions of local scenery are analyzed. It is pointed out\nthat changes in the ratio of the number of such songs to the\nnumber of all popular songs are very similar to change in\npopulation drift.\nIn sections 3, 4 and 5, popular songs are reviewed and\nanalyzed in regard to outward travel, homeward travel, and\nwandering travel respectively. The evident correlation between\nthe words in these songs and the social environment is shown.\nSection 6 deals with a few songs relating to spiritual travels.\nIn section 7, changes in travel songs are reviewed from\na unique analytical viewpoint. 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歌謡曲の歌詞に見る旅 : 昭和の歌謡史・私論
https://doi.org/10.15021/00004274
https://doi.org/10.15021/000042742e969f25-7a8d-43e1-9889-029aaf9750e5
名前 / ファイル | ライセンス | アクション |
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KH_015_4_002.pdf (3.0 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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公開日 | 2010-02-16 | |||||||||||
タイトル | ||||||||||||
タイトル | 歌謡曲の歌詞に見る旅 : 昭和の歌謡史・私論 | |||||||||||
タイトル | ||||||||||||
言語 | en | |||||||||||
タイトル | Travels Sung in Japanese Popular Songs : A Historical View of the Popular Songs of the Showa Era | |||||||||||
言語 | ||||||||||||
言語 | jpn | |||||||||||
資源タイプ | ||||||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
資源タイプ | departmental bulletin paper | |||||||||||
ID登録 | ||||||||||||
ID登録 | 10.15021/00004274 | |||||||||||
ID登録タイプ | JaLC | |||||||||||
著者 |
久保, 正敏
× 久保, 正敏
WEKO
85
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抄録 | ||||||||||||
内容記述タイプ | Abstract | |||||||||||
内容記述 | This paper traces the history of Japanese popular songs from the viewpoint of "Travel". The historical span of the discussion is confined to the Showa era, for the following two reasons: 1) The modern system of producing popular songs was established at the very beginning of the Showa era; 2) The distinct contrast between urban areas and the provinces, together with the social unrest in those days, motivated the traveling and drifting of the people, and consequently brought the travel songs or sight-seeing songs into fashion. In this paper, travels sung in popular songs are categorized into three types: outward travel, homeward travel, and wandering travel. Outward travel is motivated by a yearning for some place and can thus be viewed as future-oriented travel. Homeward travel is motivated mainly by homesickness or some memory of the past. Wandering travel is accompanied by homesickness in many cases. The popular songs of the Showa era are reviewed according to these three types of travel. In sections 1 and 2, the themes of travel in popular songs are summarized, and then songs whose words contain place names or descriptions of local scenery are analyzed. It is pointed out that changes in the ratio of the number of such songs to the number of all popular songs are very similar to change in population drift. In sections 3, 4 and 5, popular songs are reviewed and analyzed in regard to outward travel, homeward travel, and wandering travel respectively. The evident correlation between the words in these songs and the social environment is shown. Section 6 deals with a few songs relating to spiritual travels. In section 7, changes in travel songs are reviewed from a unique analytical viewpoint. Assuming that the story of the words of a popular song is scenarized, each song can be categorized as either a close-up type or a long-shot type in terms of camera angle, according to the words depicting scenes and manners and the personal pronouns contained in the words of the song. Based on this idea, several genres of travel songs are parameterized and mapped on a two-dimensional space, corresponding to the camera angle of the story of the song. The result of the mapping shows that travel songs became more and more of the close-up type with the passing of time, which seems to parallel the increasing tendency of Japanese society toward private-life-oriented conservatism. |
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書誌情報 |
国立民族学博物館研究報告 en : Bulletin of the National Museum of Ethnology 巻 15, 号 4, p. 943-986, 発行日 1991-03-28 |
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ISSN | ||||||||||||
収録物識別子タイプ | ISSN | |||||||||||
収録物識別子 | 0385-180X | |||||||||||
書誌レコードID | ||||||||||||
収録物識別子タイプ | NCID | |||||||||||
収録物識別子 | AN00091943 | |||||||||||
著者版フラグ | ||||||||||||
出版タイプ | VoR | |||||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
出版者 | ||||||||||||
出版者 | 国立民族学博物館 | |||||||||||
出版者(英) | ||||||||||||
出版者 | National Museum of Ethnology |