Knjiženo stvaralaštvo čudnovatih českih likovnih umjetnika bez šale

0536750 - ÚČL 2021 RIV HR hrv J - Článek v odborném periodiku
Košnarová, Veronika
Knjiženo stvaralaštvo čudnovatih českih likovnih umjetnika bez šale.
[Literary Creativity of the Strange Czech Visual Artists and No Joke.]
Književna smotra. Roč. 52, 198/4 (2020), s. 61-74. ISSN 0455-0463. E-ISSN 2459-6329
Výzkumná infrastruktura: CLB II - 90136
Institucionální podpora: RVO:68378068
Klíčová slova: literary creativity * Czech visual artists * the grotesque * the twentieth century
Obor OECD: Specific languages
Způsob publikování: Open access
https://hrcak.srce.hr/index.php?show=clanak&id_clanak_jezik=363061

Cilj ovog članka je upoznavanje s književnim radom nekoliko čeških umjetnika (Jan Koblasa, Rudolf Němec, Otakar Slavík, Naděžda Plíšková, Jiří Šalamoun) druge polovice 20. stoljeća, čiji se tekstovi - bez obzira na izvornu autorsku namjeru - mogu razumjeti kao autonoman umjetnički izraz . Odabrani su odabrani umjetnici koji su (barem u određenom razdoblju svog rada) bili uključeni u jednu od skupina sklonih grotesknoj poetici, odnosno estetici. specifičnom češkom obliku groteske. Fenomen grotesknosti ovdje je relevantan u smislu da se u književnom stvaralaštvu svih zastupljenih umjetnika na neki način očituje, pripadnost raspravljanih autora datim pokretima i skupinama ipak je zamišljena samo kao okolnost.

The article aims at presenting the literary creation of several Czech visual artists of the second half of the twentieth century (Jan Koblasa, Rudolf Němec, Otakar Slavik, Naděžda Plíšková, Jiří Šalamoun), whose texts could be construed – regardless of the original intention – as autonomous artistic utterances. The chosen artists were – at least periodically in their careers – participants in different groups which inclined towards the poetics and aesthetics of the grotesque, specifically towards a Czech variant of the grotesque. The phenomenon of the grotesque is important because it appears in some form in the literary works by the designated artists, but the affiliation of the artists to the given movements and schools is still considered merely as an occasion which should not occlude the particular strains of their literary creativity.
Trvalý link: http://hdl.handle.net/11104/0314471