- Author
- Date
- 6-2018
- Title
- The Unseen Déjà-Vu: From Erkki Huhtamo’s Topoi to Ken Jacobs’ Remakes
- Subtitle
- Commentary to Edwin Carels “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son”
- Journal
- Foundations of Science
- Volume | Issue number
- 23 | 2
- Pages (from-to)
- 231-236
- Document type
- Comment/Letter to the editor
- Faculty
- Faculty of Humanities (FGw)
- Institute
- Amsterdam School for Cultural Analysis (ASCA)
- Abstract
-
This commentary on Edwin Carels’ essay “Revisiting Tom Tom: Performative anamnesis and autonomous vision in Ken Jacobs’ appropriations of Tom Tom the Piper’s Son” broadens up the media-archaeological framework in which Carels places his text. Notions such as Huhtamo’s topos and Zielinski’s “deep time” are brought into the discussion in order to point out the difficulty to see what there is to see and to question the position of the viewer in front of experimental films like Tom Tom the Piper’s Son and its remakes.
- URL
- go to publisher's site
- Language
- English
- Persistent Identifier
- https://hdl.handle.net/11245.1/5de839bb-4a52-4238-88fa-ec3601504401
- Downloads
-
The Unseen Déjà-Vu(Final published version)
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