管弦樂曲太初及其創作之探討相似性材料在音樂中的運用

Abstract

本論文由兩個部份組成，第一部份為管弦樂曲太初．第二部份則為其創作 想法文字的表達．文字部份分為四章：第一章為樂曲創作的動機．第二章 藉由現象界的相似性現象映對音樂中相似性的想法，並經由聽覺感官與視 覺感官而察知．第三章為相似性材料創作手法之詳述．第四章為論文之總 結．樂曲部份：全曲為管弦樂編制以單樂章變奏曲的形式完成．共有導奏 主題十二變奏及終曲所組成．以來自主題中主導動機，經由變化產生的相 似性材料在每一變奏中開展，建構起變奏曲的結構與形式，並以材料彼此 間相似性的本質，作為全曲底層結構的把握． The thesis consists of two sections. The first is the composition of orchestral variations “The Beginning”. The second is the presentation of the ideas and compositional methods of the work. The essay is arranged in four chapters. The first chapter introduces the ideas and concepts of the musical composition. The second chapter discusses the ideas of similarity in general and musical similarity in particular through the observation of non-musical images from both aural and visual senses. The third chapter describes in detail the compositional methods in terms of relating similar materials in music. The fourth chapter is the summary of the thesis. The composition, which includes an introduction, a theme, twelve variationsand an ending, utilizes the technique of variations. The composition isconstructed by developing similar materials in all variations, with the hopethat it will provide unity to the entire piece.