The musicality of postdramatic theatre: Hans-Thies Lehmann's theory of independent auditory semiotics
- Author
- Catherine Bouko (UGent)
- Organization
Citation
Please use this url to cite or link to this publication: http://hdl.handle.net/1854/LU-8124014
- MLA
- Bouko, Catherine. “The Musicality of Postdramatic Theatre: Hans-Thies Lehmann’s Theory of Independent Auditory Semiotics.” GRAMMA, vol. 17, 2009, pp. 25–35.
- APA
- Bouko, C. (2009). The musicality of postdramatic theatre: Hans-Thies Lehmann’s theory of independent auditory semiotics. GRAMMA, 17, 25–35.
- Chicago author-date
- Bouko, Catherine. 2009. “The Musicality of Postdramatic Theatre: Hans-Thies Lehmann’s Theory of Independent Auditory Semiotics.” GRAMMA 17: 25–35.
- Chicago author-date (all authors)
- Bouko, Catherine. 2009. “The Musicality of Postdramatic Theatre: Hans-Thies Lehmann’s Theory of Independent Auditory Semiotics.” GRAMMA 17: 25–35.
- Vancouver
- 1.Bouko C. The musicality of postdramatic theatre: Hans-Thies Lehmann’s theory of independent auditory semiotics. GRAMMA. 2009;17:25–35.
- IEEE
- [1]C. Bouko, “The musicality of postdramatic theatre: Hans-Thies Lehmann’s theory of independent auditory semiotics,” GRAMMA, vol. 17, pp. 25–35, 2009.
@article{8124014,
author = {{Bouko, Catherine}},
issn = {{1106-1170}},
journal = {{GRAMMA}},
language = {{eng}},
pages = {{25--35}},
title = {{The musicality of postdramatic theatre: Hans-Thies Lehmann's theory of independent auditory semiotics}},
volume = {{17}},
year = {{2009}},
}