Persistent URL of this record https://hdl.handle.net/1887/3200378
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Middlebrow Modernism in Film (Theory): Visconti's Senso (1954) vis-à-vis Diamant-Berger's La madone des sleepings (1955)
- All authors
- Verstraten, P.W.J.
- Date
- 2015-06-22
- Volume
- 9
- Issue
- 1
- Pages
- 89 - 101