|
![]() |
|
|||||||||||||
|
Frontmatter
FOREWORD
I THE CLASSICAL SYSTEM OF MIDDLE BYZANTINE CHURCH DECORATION
INTRODUCTION
THE THEORY OF THE ICON
ARCHITECTURAL AND TECHNICAL CONDITIONS
THE ICON IN SPACE
THE IDEAL ICONOGRAPHIC SCHEME OF THE CROSS-IN-SQUARE CHURCH
THE THREE ZONES
FORMAL UNITY
II HISTORY OF THE MIDDLE BYZANTINE SYSTEM
ITS SOURCES
ITS DEVELOPMENT
ITS DISSOLUTION
THE PROVINCES
III THE IMPRINT OF THE SYSTEM ON LATER ART
THE RE-EMERGENCE OF PICTORIAL SPACE
THE SPATIAL NICHE
PHYSICAL SPACE AND FLAT COMPOSITION
SPATIAL COMPOSITIONS IN FLAT PROJECTION
CONCLUSION
NOTES
INDEX
| ||||||||||||||||||||||||||
| ||||||||||||||||||||||||||
Permanent URL for this title: http://hdl.handle.net/2027/heb.03051.0001.001 | ||
Site created by the Scholarly Publishing
Office of the University of Michigan Library | ||