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Music, imagination and culture
Nicholas Cook
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Frontmatter
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Introduction (page 1)
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I. Musical form and the listener
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1.1 Musical and non-musical listening (page 10)
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1.2 Experiencing music as form (page 22)
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1.3 The perception of form: some tests (page 43)
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2. Imagining music
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2.1 Production versus reception. (page 71)
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2.2 Imagining music (page 85)
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3. Knowing and listening
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3.1 The two sides of the musical fabric (page 122)
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3.2 Appreciation and criticism (page 160)
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4. Composition and culture
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4.1 Composition versus prediction (page 187)
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4.2 Reification and explanation (page 216)
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References (page 244)
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Index (page 259)
Journal Abbreviation | Label | URL |
---|---|---|
MTS | 16.1 (Spring 1994): 134-138 | http://www.jstor.org/stable/745835 |
JRMA | 117.1 (1992): 157-164 | http://www.jstor.org/stable/766286 |
PME | 4.3 (Dec. 1992): 12-15 | http://www.jstor.org/stable/25666168 |
MPIJ | 12.4 (Summer 1995): 473-481 | http://www.jstor.org/stable/40285677 |
MAL | 72. 3 (Aug. 1991): 410-413 | http://www.jstor.org/stable/736219 |
MusA | 10.1/2 (Mar. - Jul. 1991): 223-227 | http://www.jstor.org/stable/854006 |
NOT | 48.3 (Mar. 1992): 890-892 | http://www.jstor.org/stable/941718 |
JAAC | 50.1 (Winter 1992): 76-79 | http://www.jstor.org/stable/431076 |
Citable Link
Published: 1992
Publisher: Oxford University Press
- 9780198161547 (hardcover)
- 9780198163039 (paper)