Uncanny Movement through Virtual Spaces: Michael Pisaro’s fields have ears - Collections

＜journal article＞
Uncanny Movement through Virtual Spaces: Michael Pisaro’s fields have ears

Creator	Author PID K007454 Creator Name Daryl Jamieson Affiliation Affiliation Name Showa University of Music 昭和音楽大学
Language	English
Date	2018
Source Title	Musicultures
Vol	45
Issue	1/2
First Page	238
Last Page	254
Publication Type	Version of Record
Access Rights	open access
Abstract	Michael Pisaro’s fields have ears is a series of ten pieces that embody an ecological approach to composition. The guiding idea behind the series is that the location of a sound is as (or more) import...ant than its timing, and that how a listener understands a sound is affected by both the listener’s and the sound’s position in space. This paper uses the series as an exemplary example of James Gibson’s ecological thought in composition through its foregrounding of motion and space, and its creation of uncanny virtual worlds combining musical sounds, noise, and field recordings. It also explores the idea that Gibsonian perception has significant affinities with Kyoto School aesthetics, and analyzes Pisaro’s music utilizing methodologies from both disciplines.show more
Table of Contents	Subjects and Objects fields have ears Motion Uncanny Virtual Worlds Actual, Virtual; Non-fictional, Fictional fields have ears (1) Location and Space

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