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UBC Theses and Dissertations
A psychoanalytic study of Buñuel’s cinema Park, Mi Soo
Abstract
The objective of this thesis is to attempt a semiotic- psychoanalytic reading of the cinema of Bunuel. For this proposal we have selected three films of the director, An Andalusian dog, Land without bread and The obscure object of desire. The criteria that has led to this particular selection of films takes into account a wide range of variables to be contrasted to the psychoanalytical determinants that, we propose, play a decisive role in the form and content of the productions. The different variables present in these films are: genre (Surrealist, documentary and traditional narratives), thematics (surrealistic, erotic and socio-etnographic study), time of creativity (early adulthood, senility) and socio-cultural conditions of production (Spain, France). Our intended psychoanalytic study focuses on the creator's unconscious motivations that regulate, in a rather compulsive way, the poetics of love or life indistinctively present in all these cinematic creations. In order to reach to this interpretative stance, we will follow the different methodological steps of a semiotic reading of the texts that will discern their cinematographically denotative and connotative devises and contents. This way of illuminating art through psychoanalysis is reflected on the Freudian idea that creativity constitutes one of the mysterious human manifestations in which the instincts channel their conflicts in a socially disguised way, in order to pursue the desired gratification.
Item Metadata
Title |
A psychoanalytic study of Buñuel’s cinema
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
2001
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Description |
The objective of this thesis is to attempt a semiotic- psychoanalytic reading of the cinema
of Bunuel. For this proposal we have selected three films of the director, An Andalusian dog,
Land without bread and The obscure object of desire. The criteria that has led to this particular
selection of films takes into account a wide range of variables to be contrasted to the
psychoanalytical determinants that, we propose, play a decisive role in the form and content of
the productions.
The different variables present in these films are: genre (Surrealist, documentary and
traditional narratives), thematics (surrealistic, erotic and socio-etnographic study), time of
creativity (early adulthood, senility) and socio-cultural conditions of production (Spain, France).
Our intended psychoanalytic study focuses on the creator's unconscious motivations that
regulate, in a rather compulsive way, the poetics of love or life indistinctively present in all these
cinematic creations.
In order to reach to this interpretative stance, we will follow the different methodological
steps of a semiotic reading of the texts that will discern their cinematographically denotative and
connotative devises and contents.
This way of illuminating art through psychoanalysis is reflected on the Freudian idea that
creativity constitutes one of the mysterious human manifestations in which the instincts channel
their conflicts in a socially disguised way, in order to pursue the desired gratification.
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Extent |
3673044 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-08-04
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0089917
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
2001-05
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.