castellano-elflamencopop-2018.pdf (310.25 kB)
El flamenco pop como tecnología del cambio social en España: del desarrollismo nacionalflamenquista al cuerpo biorrumbero de la Transición
journal contribution
posted on 2018-01-01, 00:00 authored by Ramon Lopez CastellanoRamon Lopez CastellanoThis article traces the changes in Spanish "pop" flamenco from late Francoism to the Transition to democracy. It researches how these changes crystallize in two different modes of popular artistic expression ( nationalflamenquismo and suburbia or vallecana rhumba ) that interact in vastly different ways with society and power at large in both historical moments. The second part of this study develops the notion of "Transitional Music" applied to rumba vallecana to explain the instrumental role rumba played in order to overcome the social and identity legacy of Francoism.
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Journal
TRANS: revista transcultural de música/transcultural music reviewVolume
21-22Article number
12Pagination
1 - 18Publisher
Sociedad de EtnomusicologiaLocation
Barcelona, SpainISSN
1697-0101Language
SpanishPublication classification
C1 Refereed article in a scholarly journalCopyright notice
2018, Ramón López CastellanoUsage metrics
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