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lemon: a dream of Janet Frame
This poem is composed around words and phrases selected by others: ‘lemon’, ‘snake removalist’, ‘shirt of arrows’: thus its principle of composition becomes, for me at least, a mise-en-abyme of the poetic bricolage driving Frame’s work, deploying a dream logic to forge artistic patterns from the random cruelties that the world throws at her: for instance, the psych nurses literally throwing sweets to the patients, just to see them demean themselves scrabbling on the floor to catch them. The persona addressing Janet is borne of intertextuality: ‘lemon’ celebrates Frame’s work by seeding the poem with her name and two of her titles: Owls Do Cry and Scented Gardens for the Blind. The image of the youth’s prostrate abandonment ‘under’ [sic] his dismantled scooter is also hers, from ‘The Linesman’ in the 1983 collection You Are Now Entering the Human Heart. The image of the ‘lemon’ is activated as both gift, carrying the light of survival, and punishment (suggested by the cruel pun: ‘we want you better bitter’), that is, the electro-convulsive therapy to which this great writer was repeatedly subjected.
History
Volume
64Pagination
3-AugISSN
1327-9556Language
EnglishResearch statement
This poem ‘lemon – a dream of Janet’ responds to the poetic, fictional and auto-fictional work of Janet Frame, focussing on her near-decade-long incarceration in psychiatric wards. It aims to demonstrate the sanity of resistance via the magical force of word and image, countering the egregiously cruel practices of psychiatric ‘treatment’ common to Australia and New Zealand in the 1950s and 1960s. At the same time, it both resists the romantic celebration of madness as allied to creativity and suggests that the mental illness (misdiagnosed as ‘schizophrenia’) from which the hypersensitive Frame suffered was much more probably due to the cumulative traumatic impact of tragic events, including the death of two sisters by drowning.Publication classification
JO3 Original Creative Works – Textual WorkUsage metrics
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