Remembering and forgetting in the funerary architecture of Mustafa Kemal Atatürk: the construction and maintenance of national memory

Download

index.pdf

Date

2007

Author

Wilson, Christopher Samuel

Metadata

Show full item record

Item Usage Stats

307
views

156
downloads

This dissertation traces the concept of national memory through the five architectural spaces that have housed the dead body of Mustafa Kemal Atatürk: the bedroom in Dolmabahçe Palace, Istanbul, where he died on 10 November 1938; the catafalque in the Grand Ceremonial Hall of Dolmabahçe Palace used between 16-19 November 1938; the official funeral stage in Ankara designed by Bruno Taut and used between 20-21 November 1938; the temporary tomb in The Ethnographic Museum, Ankara; and Atatürk’s mausoleum, Anıtkabir, in use since 10 November 1953. The dissertation firstly narrates the construction of a Turkish collective memory by means of architectural representation and politicization and secondly the physical and ideological maintenance of this memory by means of additions and subtractions to these spaces.

Subject Keywords

Architecture.

URI

http://etd.lib.metu.edu.tr/upload/12608490/index.pdf
https://hdl.handle.net/11511/17194

Collections

Graduate School of Natural and Applied Sciences, Thesis

Suggestions

OpenMETU
Core

Doubling: “italy, the new domestic landscape” as a historical project Mutlu Tunca, Gülru; Savaş Sargın, Ayşen; Department of Architecture (2009) Italian architectural historian and critic, Manfredo Tafuri, with his seminal book Theories and History of Architecture, issued in 1968, started a new era in the architectural discourse. With his eminent theorization of “architecture as the critique of ideology,” Tafuri had shifted the critique of architecture to a political and Marxist level and this revolutionary understanding had absolute impacts on the institutionalization of the American critical discourse after 1968. This study is a historical critici...
A Monument's Domain Atak, Tulay (2012-12-01) “A Monument's Domain” considers the making of modern monuments between Turkey and France in 1924 by focusing on a short text by Le Corbusier, namely, “Mustapha Kemal Aura Son Monument.” It considers some early architectural and sculptural projects for Ankara, their role in the establishment of the territory of the Turkish Republic as well as the changing definitions of the term “monument” in the Turkish language. It also provides a close reading of Le Corbusier's response to Turkish modernization efforts an...
Awarding architecture in Turkey: national architecture exhibition and awards program Durmaz, Nur; Balamir, Aydan; Department of Architecture (2009) The establishment of the National Architecture Exhibition and Awards (NAEA) program in 1987, by Chamber of Architects, coincides with the period of dissolving modernist paradigm and rising pluralist influences in Turkey. The program, as a critical medium, is expected to reflect “national” architectural practice and contribute in the “contemporary” architectural practice in Turkey. In order to evaluate the consistencies with these objectives, firstly the program identity and then the participations are analy...
Printed architectures: architects’ auto-monographs in Turkey 1950s-1980s Bancı, Selda; Altan, Tomris Elvan; Department of History of Architecture (2016) This dissertation examines architecture in Turkey from the 1950s to the 1980s through printed mediums and focuses on the auto-monographs prepared by practising architects, one of the genres of printed mediums in architecture. These books retrospectively display architects’ complete œuvre via images and texts and provide a place for architects to structure their own architectural production and to develop an understanding of architecture itself as a practice. The monographs live longer than the buildings and...
Restoration of Zazadin Han a 13th century Seljıkid caravanseria anseria near Konya Önge, Mustafa; Madran, Emre; Department of Architecture (2004) The subject of this thesis is the restoration project of Zazadin Han, which is a 13th century Seljukid caravanserai near Konya. Following a brief description of the building, the values of the building and the aim of study are discussed in the introduction chapter. It is followed by the methodology of the study, detailed description of the building, analysis about the structural, material and construction features of the Han, historical study about the building type and the building itself, respectively. Th...

Citation Formats

C. S. Wilson, “Remembering and forgetting in the funerary architecture of Mustafa Kemal Atatürk: the construction and maintenance of national memory,” Ph.D. - Doctoral Program, Middle East Technical University, 2007.