The Design from Nature Towards the Order of the Power of Global

Date

2016-06-17

Author

Erişen, Serdar

Metadata

Show full item record

Item Usage Stats

111
views

0
downloads

URI

https://hdl.handle.net/11511/80090

Collections

Unverified, Conference / Seminar

Suggestions

OpenMETU
Core

The Aesthetic evolutons Erişen, Serdar (The Korean Society of Aesthetics, 2018-01-01)
THE SPACE OF CONFLUENCES: VICISSITUDES OF IDEOLOGY AND DESIRE IN THE PUBLIC PLACES Erişen, Serdar (2018-10-01)
The Rise and Fall Of The Urban Environmental Products on Pleasure Basis Gürsu, Hakan (null; 2004-07-14) The aim of this paper is to discuss different aspects of human-product interactions in urban environment as a design problem in relation to “pleasure” issue. The aspirations, capacities, limitations and present activities of “urbano-Man” in a designed space are going to be examined and his objective and subjective value systems are going to be redefined in order to find out means of providing user satisfaction by a “pleasurable-city” life. The quantity of artificial products, so called “urban artifacts”, in...
The transformation of urban space at the conjunction of the old and new districts : the city of Aleppo Miroğlu, Ebru Aras; Sargın, Güven Arif; Urban Design in City and Regional Planning Department (2005) The urban space is subjected to countless transformations depending on multiple reasons such as urban planning decisions, the administrative system and regulations. In this context, the aim of this thesis is to reveal the spatial transformation of an urban area at the conjunction of the old and new districts of a historical city. A morphological analysis method depending on quantitative and qualitative chaarcteristics will be utilized to understand its changing spatiality.
The digitally reconstructed architectural object in the age of post-orthography Beril, Önalan; Gürsel Dino, İpek; Yoncacı Arslan, Pelin; Department of Architecture (2020-8) In his much-quoted essay The Work of Art In The Age of Mechanical Reproduction, Walter Benjamin discusses that original artworks have an inherent aura and emphasizes the importance of material authenticity, arguing that mechanical reproduction leads to the loss of that auratic and iconic qualities. Within this context of the materiality argument that fails to consider the values that might emerge as a result of the digital technology of reproduction, it is difficult to redefine the digitally reconstructed o...

Citation Formats

S. Erişen, “The Design from Nature Towards the Order of the Power of Global,” 2016, Accessed: 00, 2021. [Online]. Available: https://hdl.handle.net/11511/80090.