test10Copyright not evaluatedstring(23) "Copyright not evaluated"
array(4) {
["txt"]=>
string(23) "Copyright not evaluated"
["block_datas"]=>
string(0) ""
["block_thumbnail"]=>
string(0) ""
["block_media"]=>
string(1) "1"
}
Ukrainian women writers and the national imaginary
| Ondertitel | from the collapse of the USSR to the Euromaidan |
| Uitgave plaats | Toronto |
| Uitgave plaats | Buffalo |
| Uitgave plaats | London |
| Uitgever | University of Toronto Press |
| Uitgave jaar | 2020 |
| Jaar van creatie | 2020 |
| Paginatie | VIII, 201p. |
| ISBN/ISSN | 9781487506001 |
| Notitie | notes : bibliogr. : index |
| Taal | English/Engels |
| Vindplaats | O EUR 54 2020 - B |
| Samenvatting | In this study of how Ukrainian women’s prose writing was able to re-emerge so powerfully after being marginalized in the Soviet era, the author examines the writings and literary careers of leading contemporary Ukrainian women authors, such as Oksana Zabuzhko, Ievheniia Kononenko, and Maria Matios. Utilizing insights from postcolonial and nationalism studies, Wallo’s book theorizes the interdependence between the national imaginary and narrative plots, and scrutinizes how prominent Ukrainian women authors experimented with literary form in order to rewrite the story of women and nationhood. |
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https://hdl.handle.net/11653/book115913
