Der Mythos der Insel im expressionistischen Film: "Die Insel der Verschollenen" (1921)

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Authors
Ortiz de Urbina Sobrino, PalomaUniversity of Alcalá Author
Identifiers
Permanent link (URI): http://hdl.handle.net/10017/60908
DOI: 10.3726/b20496
ISBN: 978-3-631-88211-5
Publisher
Peter Lang
Date
2023-02-01
Academic Departments
Universidad de Alcalá. Departamento de Filología Moderna
Funders
Comunidad de Madrid
Bibliographic citation
Pichler, G., Jurcic, C., Roca Arañó, F., Siguan, M. (eds.). Inseln als literarischer und kultureller Raum: Utopien, Dystopien, Narrative der Reise. Berlin: Peter Lang, 2023, p. 171-181
Keywords
Expressionistic film
Myth of the Isle
Mythcriticism
Urban Gad
Project
info:eu-repo/grantAgreement/CAM//H2019%2FHUM-5714/ES/Estrategias de Innovación en Mitocrítica Cultural
Document type
info:eu-repo/semantics/bookPart
Version
info:eu-repo/semantics/publishedVersion
Rights
(c) Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
Access rights
info:eu-repo/semantics/openAccess
Abstract
The film "The Island of the Lost" (Urban Gad, 1921), produced at the dawn of German Expressionism and based on a novel by H.G. Wells, uses the mythical symbolism of the island. This article analyses the features of this symbolism; refuge, idyllic paradise, or a secret hideout where evil can prevail.

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