Publication: Algunos datos etnoarqueolóicos de la cosmovisión hñähñu¿-otomí en la pintura rupestre del Mezquital, Hidalgo (México).
Loading...
Files
Identifiers
Publication date
2019
Reading date
Event date
Start date of the public exhibition period
End date of the public exhibition period
Authors
Lagunas, David
Lara, Aline
Advisors
Authors of photography
Person who provides the photography
Journal Title
Journal ISSN
Volume Title
Publisher
Abstract
El cosmos y la cosmovisión en Mesoamérica se percibía como una estructura
de duales y opuestos, que explicaban su concepción de cómo era su
mundo, sus dioses, su espacio y su tiempo: Hombre: mujer, frío: caliente,
noche: día, dioses: diosas: agua: fuego; todas estas oposiciones, se mezclaban
en la representación del cuerpo, el nagualismo, el sacrificio y por
ende, en los complejos de dioses y sus lugares sagrados. Proponemos
que estos desdoblamientos contrarios y complementaros, se enmarcaron
en los conjuntos rupestres del Valle del Mezquital, continuando en
elementos rupestres del siglo XVI e incluso con huellas evidentes en
fiestas y rituales de las comunidad hñahñu¿ y otomí de grupos actuales.
The cosmos and cosmovision in Mesoamerica was perceived as a dual structure and opposite, explaining his conception of how his world, their gods, their space and time: Male: female, cold: hot, night day, the gods: goddesses: water: fire; all these oppositions, mingled in the representation of the body, nagualism, sacrifice and therefore, in the complexes of gods and sacred sites. We propose that these splits and complementary contrary were part of the cave art of Valle del Mezquital, continuing in rock elements of the sixteenth century and even evident traces in festivals and rituals of groups Otomi Hñähñu contemporary.
The cosmos and cosmovision in Mesoamerica was perceived as a dual structure and opposite, explaining his conception of how his world, their gods, their space and time: Male: female, cold: hot, night day, the gods: goddesses: water: fire; all these oppositions, mingled in the representation of the body, nagualism, sacrifice and therefore, in the complexes of gods and sacred sites. We propose that these splits and complementary contrary were part of the cave art of Valle del Mezquital, continuing in rock elements of the sixteenth century and even evident traces in festivals and rituals of groups Otomi Hñähñu contemporary.
Doctoral program
Related publication
Research projects
Description
Keywords
cosmos
cosmovisión
sistemas duales
género
naguales
rupestre
Otomí-Hñahñu¿
cosmovisión
sistemas duales
género
naguales
rupestre
Otomí-Hñahñu¿