Gestural hyper instrument collaboration with generative computation for real time creativity

Beilharz, K; Ferguson, S

Gestural hyper instrument collaboration with generative computation for real time creativity

Beilharz, K Ferguson, S

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Publication Type:: Conference Proceeding
Citation:: Creativity and Cognition 2007, CC2007 - Seeding Creativity: Tools, Media, and Environments, 2007, pp. 213 - 222
Issue Date:: 2007-12-07

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Field	Value	Language
dc.contributor.author	Beilharz, K	en_US
dc.contributor.author	Ferguson, S https://orcid.org/0000-0003-1853-3000	en_US
dc.date.issued	2007-12-07	en_US
dc.identifier.citation	Creativity and Cognition 2007, CC2007 - Seeding Creativity: Tools, Media, and Environments, 2007, pp. 213 - 222	en_US
dc.identifier.isbn	1595937129	en_US
dc.identifier.isbn	9781595937124	en_US
dc.identifier.uri	http://hdl.handle.net/10453/11268
dc.description.abstract	This paper describes the performance, mapping, transformation and representation phases of a model for gesture-triggered musical creativity. These phases are articulated in an example creative environment, Hyper-Shaku (Border-Crossing), an audio-visually augmented shakuhachi performance to demonstrate the adaptive, empathetic response of the generative systems. The shakuhachi is a Japanese traditional end-blown bamboo Zen flute. Its 5 holes and simple construction require subtle and complex gestural movements to produce its diverse range of pitches, vibrato and pitch inflections, making it an ideal candidate for gesture capture. The environment uses computer vision, gesture sensors and computer listening to process and generate electronic music and visualization in real time response to the live performer. The integration of looming auditory motion and Neural Oscillator Network (NOSC) generative modules are implemented in this example.	en_US
dc.relation.ispartof	Creativity and Cognition 2007, CC2007 - Seeding Creativity: Tools, Media, and Environments	en_US
dc.relation.isbasedon	10.1145/1254960.1254990	en_US
dc.title	Gestural hyper instrument collaboration with generative computation for real time creativity	en_US
dc.type	Conference Proceeding
utslib.for	120302 Design Innovation	en_US
dc.location.activity	Washington DC, USA	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Computer Science
pubs.organisational-group	/University of Technology Sydney/Strength - HCTD - Human Centred Technology Design
utslib.copyright.status	closed_access
pubs.publication-status	Published	en_US

Abstract:

This paper describes the performance, mapping, transformation and representation phases of a model for gesture-triggered musical creativity. These phases are articulated in an example creative environment, Hyper-Shaku (Border-Crossing), an audio-visually augmented shakuhachi performance to demonstrate the adaptive, empathetic response of the generative systems. The shakuhachi is a Japanese traditional end-blown bamboo Zen flute. Its 5 holes and simple construction require subtle and complex gestural movements to produce its diverse range of pitches, vibrato and pitch inflections, making it an ideal candidate for gesture capture. The environment uses computer vision, gesture sensors and computer listening to process and generate electronic music and visualization in real time response to the live performer. The integration of looming auditory motion and Neural Oscillator Network (NOSC) generative modules are implemented in this example.

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http://hdl.handle.net/10453/11268