Intermediality in Macedonian theatre
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Date
2012
Authors
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Journal ISSN
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Publisher
Wydawnictwo Naukowe UAM
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Abstract
In the text Intermediality in Macedonian theatre, which uses the play Macedonian bloody
wedding by Vojdan Chernodrinski, directed by Ljupco Gorgievski, as an example, an
attempt is made at representing intermediality in theatrical performance. It is achieved
through a ready-made technique in which a significant role is played by the music group
Foltin and their performance. They use various props, which they turn into their instruments.
This leads to their actualization through dedication to their essence. In this way, the old
forms and elements of the traditional folk culture cross the bounds of time, reading the
folklore signs in the style of the postmodern scene expressions.
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Keywords
Intermediality, Performance, Postmodern, Ready-made, Theatre, Drama, Folklore
Citation
Poznańskie Studia Slawistyczne, 2012, nr 2, s.251–260
ISBN
978-83-232-2409-9