Las crónicas romanas de Pier Paolo Pasolini: (Re) lectura desde la literatura argentina contemporánea. Redes y relaciones con las crónicas de Cristian Alarcón.
Fecha
2018
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Escuela de Letras. Facultad de Humanidades y Artes. Universidad Nacional de Rosario
Resumen
Descripción
Estudiar e investigar un
tema, aspecto o problemática de la
literatura europea desde el Cono Sur de
América Latina implica estar atento a
un conjunto de presupuestos teóricos,
históricos, sociales y políticos (incluso
económicos) concernientes a ambas
literaturas. Es, también, poder pensar
relaciones. En ese sentido, este artículo
versará sobre una posible manera de
(re) leer las crónicas romanas de Pier
Paolo Pasolini—escritas entre los años
´50 y ´65—, recopiladas en Storie della
città di Dio, en las que el escritor pone
en escena su primera y determinante
fascinación por la realidad romana,
especialmente por el subproletariado, a
partir de las crónicas sobre la villa de
Cristian Alarcón. Atendiendo a las
particularidades de cada una de esas
escrituras, partiremos de las siguientes
preguntas: ¿cómo se narran los tugurios
romanos en Pasolini y la villa porteña
en Alarcón? ¿Qué experiencia con/ de
la otredad se configuran en esas
textualidades? ¿Y qué papel o lugar
adquiere la figura del escritor en las
narraciones de esas experiencias?
Studying and investigating an issue, an aspect or a problem of European Literature from the Southern Cone of Latin America involves being focused on a group of theoretical, historical, social and political (even economic) budgets concerning to both literatures. This also means being able to think about relationships. In that sense, this article will be about a possible way of re-reading Pier Paolo Pasolini's Roman Chronicles—written between the years 50s ans 65s—, compiled in Storie della città di Dio, in which the writer puts in scene his first and decisive fascination for the Roman reality, especially for the subproletariat, based on Cristian Alarcón's chronicles about the slums. According to the peculiarities of each of those writings, we will be based on the following questions: How are the Roman hovels narrated in Pasolini's literature and the slums from Buenos Aires in Alarcón's literature? Which experience with/of the otherness are shaped in those textualities? Which is the role or place that the writer gets in the narration of those experiences?
Studying and investigating an issue, an aspect or a problem of European Literature from the Southern Cone of Latin America involves being focused on a group of theoretical, historical, social and political (even economic) budgets concerning to both literatures. This also means being able to think about relationships. In that sense, this article will be about a possible way of re-reading Pier Paolo Pasolini's Roman Chronicles—written between the years 50s ans 65s—, compiled in Storie della città di Dio, in which the writer puts in scene his first and decisive fascination for the Roman reality, especially for the subproletariat, based on Cristian Alarcón's chronicles about the slums. According to the peculiarities of each of those writings, we will be based on the following questions: How are the Roman hovels narrated in Pasolini's literature and the slums from Buenos Aires in Alarcón's literature? Which experience with/of the otherness are shaped in those textualities? Which is the role or place that the writer gets in the narration of those experiences?
Palabras clave
Crónicas, Subproletario, Pasolini, Alarcón, Chronicles, Subproletariat, Slums