Nuevos públicos en pandemia: Distanciamiento social y teatro rosarino
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Fecha
2020-07
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UNR Editora
Resumen
Descripción
Este ensayo reflexiona sobre las representaciones
discursivas adoptadas en medio de una urgencia
que conmovió las bases conceptuales, redimensionó la oferta y promovió la visualización del
futuro inminente del teatro independiente de la
ciudad de Rosario. Las reflexiones forman parte
de la nueva estrategia de abordaje y gestión del
proyecto de Extensión Universitaria “Nuevos
públicos en construcción III”, de la Facultad de
Ciencia Política y Relaciones Internacionales, y
contienen el valor de la palabra puesta en funcionamiento en el mismo momento de la zozobra
producida por los cambios en la sociabilidad de
las personas, que impactaron directamente sobre
el convivio que estructura al teatro. Formaron
parte del ciclo virtual de videoconferencias
organizado por el proyecto, con el auspicio de
la Secretaría de Extensión de la Facultad de
Ciencia Política, llamado “Extendiendo vínculos: Conversatorio sobre teatro en pandemia”,
que se desarrolló entre el 7 de mayo y el 4 de
junio de 2020. Con esas y otras voces se aborda
una realidad inquietante: si el convivio y el arte
aurático siguen desaparecidos de escena, quizás
sea hora de repensar el concepto de teatro.
This essay reflects on the discourse representations adopted during an urge that moved the conceptual basis, re-dimensioned the offer, and promoted the visualization of the foreseeable future of Rosario’s independent theater. The reflections are part of the new approach and administration strategy of the Facultad de Ciencia Política y Relaciones Internacionales University Extension project “Building new publics III”. These thoughts contemplate the value of the word in movement as well as the unease produced by the changes in people’s sociability; aspects that impacted directly over the agreement through which theater is structured. These ideas were part of the videoconferences virtual cycle “Expanding Bonds: Conversations about Theater in the Pandemic”, organized by the project, with the sponsorship of the Secretaría de Extensión of the Facultad de Ciencia Política y Relaciones Internacionales, and conducted between May 7th and June 4th, 2020. With these and other voices, a disturbing reality is addressed: if coexistence and auratic art continue to disappear from the scene, perhaps it is time to rethink the concept of theater.
This essay reflects on the discourse representations adopted during an urge that moved the conceptual basis, re-dimensioned the offer, and promoted the visualization of the foreseeable future of Rosario’s independent theater. The reflections are part of the new approach and administration strategy of the Facultad de Ciencia Política y Relaciones Internacionales University Extension project “Building new publics III”. These thoughts contemplate the value of the word in movement as well as the unease produced by the changes in people’s sociability; aspects that impacted directly over the agreement through which theater is structured. These ideas were part of the videoconferences virtual cycle “Expanding Bonds: Conversations about Theater in the Pandemic”, organized by the project, with the sponsorship of the Secretaría de Extensión of the Facultad de Ciencia Política y Relaciones Internacionales, and conducted between May 7th and June 4th, 2020. With these and other voices, a disturbing reality is addressed: if coexistence and auratic art continue to disappear from the scene, perhaps it is time to rethink the concept of theater.
Palabras clave
Teatro, Representaciones discursivas, Pandemia, COVID-19, Discursive representations, Theater, Rosario