記念用プリント・テキスタイルにみられる国民国家の視覚化 : 1953 年エリザベス二世戴冠式から新生アフリカ国家イメージまで

門田, 園子; Monden, Sonoko

doi:https://doi.org/10.18910/91054

アクセス数:60件（2024-05-01 19:06 集計）

固定URL: https://doi.org/10.18910/91054

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タイトル	記念用プリント・テキスタイルにみられる国民国家の視覚化 : 1953 年エリザベス二世戴冠式から新生アフリカ国家イメージまで
	Visualization of the Nation-State in Commemorative Prints and Textiles : From the 1953 Coronation of Queen Elizabeth II to the Image of the New African Nation
	キネン　ヨウ　プリント　テキスタイル　ニ　ミラレル　コクミンコッカ　ノ　シカクカ　1953　ネン　エリザベス　ニセイ　タイカンシキ　カラ　シンセイ　アフリカ　コッカ　イメージ　マデ
著者	著者名門田, 園子 ; Monden, Sonoko
キーワード等	記念用プリント・テキスタイル
	横浜（製）スカーフ
	国民国家の表象
	民族とナショナリズム
	アフリカ独立
	Commemorative Prints and Textiles
	Yokohama Scarves
	Representation of the Nation-State
	Ethnicity and Nationalism
	Independence of Africa
内容	学術論文
抄録	Factory prints based on portrait images of Queen Elizabeth II around her coronation and printing scarves manufactured in Yokohama were exported mainly to British West African colonies in the late 1950s. Why were commemorative prints using portrait images of sovereigns such as Queen Elizabeth II manufactured and exported to the British West African colonies at the height of the anti-colonial nationalist movement? This thesis will examine the background of the proliferation of the image of the suzerain monarch in Africa on the eve of independence, based on the theories of political scientist Benedict Anderson and historian Ernest Gellner, as well as the establishment of the African nation-state system and the visualization of this system. Commemorative printed textiles were a means of introducing the modern Western system of education, politics, and economics used by the former sovereign nation, the United Kingdom, to the former colonies. It is possible to capture the ideology espoused by African nations at the time of their independence that modernization and Westernization would lead to the creation of homogeneous communities of nation-states.
出版者	意匠学会
出版者	The Japan Society of Design
収録物名	デザイン理論
収録物名	Journal of the Japan Society of Design
巻(号)	81
ページ	17-31
刊行年月	2023-01-31
言語	日本語
ハンドルURL	https://hdl.handle.net/11094/91054
DOI	https://doi.org/10.18910/91054
PISSN	09101578
NCID	AN00006762
アクセス権	open access
出版タイプ	Version of Record
カテゴリ	本学関連学会 Related Societies
カテゴリ	デザイン理論 / Vol.81(2023-01)

資源タイプ	学術雑誌論文
ローカル資源タイプ	本学関連学会
DCMI資源タイプ	text
DCTERMS.bibliographicCitation	デザイン理論. 2023, 81, p. 17-31
DC.title	記念用プリント・テキスタイルにみられる国民国家の視覚化 : 1953 年エリザベス二世戴冠式から新生アフリカ国家イメージまで
	Visualization of the Nation-State in Commemorative Prints and Textiles : From the 1953 Coronation of Queen Elizabeth II to the Image of the New African Nation
	キネン　ヨウ　プリント　テキスタイル　ニ　ミラレル　コクミンコッカ　ノ　シカクカ　1953　ネン　エリザベス　ニセイ　タイカンシキ　カラ　シンセイ　アフリカ　コッカ　イメージ　マデ
DC.creator	門田, 園子
DC.creator	Monden, Sonoko
DC.publisher	意匠学会
DC.publisher	The Japan Society of Design
DC.language' scheme='DCTERMS.RFC1766	日本語
DC.type' scheme='DCTERMS.DCMIType	text
DCTERMS.issued' scheme='DCTERMS.W3CDTF	2023-01-31
DC.subject	記念用プリント・テキスタイル
	横浜（製）スカーフ
	国民国家の表象
	民族とナショナリズム
	アフリカ独立
	Commemorative Prints and Textiles
	Yokohama Scarves
	Representation of the Nation-State
	Ethnicity and Nationalism
	Independence of Africa
DC.description	学術論文
DCTERMS.abstract	Factory prints based on portrait images of Queen Elizabeth II around her coronation and printing scarves manufactured in Yokohama were exported mainly to British West African colonies in the late 1950s. Why were commemorative prints using portrait images of sovereigns such as Queen Elizabeth II manufactured and exported to the British West African colonies at the height of the anti-colonial nationalist movement? This thesis will examine the background of the proliferation of the image of the suzerain monarch in Africa on the eve of independence, based on the theories of political scientist Benedict Anderson and historian Ernest Gellner, as well as the establishment of the African nation-state system and the visualization of this system. Commemorative printed textiles were a means of introducing the modern Western system of education, politics, and economics used by the former sovereign nation, the United Kingdom, to the former colonies. It is possible to capture the ideology espoused by African nations at the time of their independence that modernization and Westernization would lead to the creation of homogeneous communities of nation-states.
DC.identifier	10.18910/91054
DC.format	application/pdf
citation_title	記念用プリント・テキスタイルにみられる国民国家の視覚化 : 1953 年エリザベス二世戴冠式から新生アフリカ国家イメージまで
	Visualization of the Nation-State in Commemorative Prints and Textiles : From the 1953 Coronation of Queen Elizabeth II to the Image of the New African Nation
	キネン　ヨウ　プリント　テキスタイル　ニ　ミラレル　コクミンコッカ　ノ　シカクカ　1953　ネン　エリザベス　ニセイ　タイカンシキ　カラ　シンセイ　アフリカ　コッカ　イメージ　マデ
citation_author	門田, 園子
citation_author	Monden, Sonoko
citation_publisher	意匠学会
citation_publisher	The Japan Society of Design
citation_language	日本語
citation_date	2023-01-31
citation_journal_title	デザイン理論
citation_journal_title	Journal of the Japan Society of Design
citation_volume	81
citation_firstpage	17
citation_lastpage	31
citation_public_url	https://hdl.handle.net/11094/91054
citation_doi_detail	10.18910/91054
citation_doi	https://doi.org/10.18910/91054

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