Publication: La poesía de Julio Aumente (1921-2006) : entre el clasicismo esteticista y la modernidad transgresora
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2023-09-27
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Universidad Complutense de Madrid
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Abstract
La poesía de Julio Aumente destaca por la singularidad de su pensamiento creador dentro del grupo Cántico, así como por el carácter marginal de sus premisas estéticas, una vez examinadas ala luz del canon lírico hegemónico en su época. La excepcionalidad de los postulados estéticos y éticos de su obra condicionó en extremo, al igual que ocurriera con otros componentes del grupo, la recepción y posterior apreciación de su poesía. Esta limitación pudiera explicar la escasez de estudios existentes, y justificar, al mismo tiempo, la necesidad de este ensayo interpretativo. Tras un primer capítulo introductorio, anotación esencial de índole biográfica y bibliográfica, se emprende la exposición esquemática de su creación poética, individualizada no solo en sus propiedades formales y conceptuales, sino incardinada en el preciso contexto de la poesía española contemporánea. En el tercero se describen los varios núcleos temáticos como expresión personal de un peculiar credo poético. El amor, la muerte o el paisaje son concepciones subjetivas de una más extensa razón vital, que sabe abrazar por igual los extremos psíquicos de la desolación o la esperanza. El cuarto tiene como propósito el conocimiento formal y funcional delas construcciones metafóricas, tanto en su realización más simple como en sus estructuras más dilatadas y complejas, con especial atención al referente metafórico concreto. Asimismo se toman en consideración las diferentes modalidades de evolución irracionalista y el diverso grado de irracionalización implicada en cada una de ellas...
Julio Aumente's poetry stands out for the singularity of his creative thinking within the Cántico group, as well as for the marginal nature of his aesthetic premises, once examined in the light of the hegemonic lyrical canon of his time. The exceptional nature of the aesthetic and ethical postulates of his work, as was the case with other members of the group, conditioned in the extreme the reception and subsequent appreciation of his poetry. This limitation may explain the scarcity of existing studies and, at the same time, justify the need for this interpretative essay. After a first introductory chapter, an essential biographical and bibliographical annotation, a schematic exposition of his poetic work is undertaken, individualised not only in its formal and conceptual properties, but also embedded in the precise context of contemporary Spanish poetry. The third section describes the various thematic nuclei as a personal expression of a peculiar poetic creed. Love, death or landscape are subjective conceptions of a more extensive vital reason, which knows how to embrace equally the psychic extremes of desolation or hope. The fourth aims at the formal and functional knowledge of metaphorical constructions, both in their simplest realisation and in their more extensive and complex structures, with special attention tothe concrete metaphorical referent. The different modalities of irrationalist evolution and the different degree of irrationalisation involved in each of them are also taken into consideration...
Julio Aumente's poetry stands out for the singularity of his creative thinking within the Cántico group, as well as for the marginal nature of his aesthetic premises, once examined in the light of the hegemonic lyrical canon of his time. The exceptional nature of the aesthetic and ethical postulates of his work, as was the case with other members of the group, conditioned in the extreme the reception and subsequent appreciation of his poetry. This limitation may explain the scarcity of existing studies and, at the same time, justify the need for this interpretative essay. After a first introductory chapter, an essential biographical and bibliographical annotation, a schematic exposition of his poetic work is undertaken, individualised not only in its formal and conceptual properties, but also embedded in the precise context of contemporary Spanish poetry. The third section describes the various thematic nuclei as a personal expression of a peculiar poetic creed. Love, death or landscape are subjective conceptions of a more extensive vital reason, which knows how to embrace equally the psychic extremes of desolation or hope. The fourth aims at the formal and functional knowledge of metaphorical constructions, both in their simplest realisation and in their more extensive and complex structures, with special attention tothe concrete metaphorical referent. The different modalities of irrationalist evolution and the different degree of irrationalisation involved in each of them are also taken into consideration...
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Tesis inédita de la Universidad Complutense de Madrid, Facultad de Filología, leída el 29-09-2022