Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century
Само за регистроване кориснике
2019
Поглавље у монографији (Објављена верзија)
,
Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2019
Метаподаци
Приказ свих података о документуАпстракт
This paper deals with urban folk music in Serbia (whilst considering its roots in
pre-World War II Yugoslavia). During its history this music was influenced by
cultural practices from the (Ottoman) East and from the West (from Austro-
Hungarian to contemporary global pop), combined with local semi-rural lyrical
repertoire. Urban folk music is regarded as specific traditional Balkan popular
music. Urban folk music before World War II was a starting point for the later
segregation of popular folk genres – “newly-composed folk” and “old urban”
music. The first one was nominally progressive, designed for wider audience,
based on rural music motifs but modernized by instruments (from accordions to
an electric band). The second one was developed around the 1970s as a response
to this phenomenon, and it was purposely regressive, evoking pre-World War II
urban folk music by a particular repertoire and acoustic performance. Ever since
they appeared, they have had a dynamic relation ...on popular music market. Their
quality opposition is important, based not only on the attitudes about “authentic”
folk music, but also on the use of influences from the West. According to the
results of archival work and interviews with authors of “old urban music”, this
paper explores traces of global popular music, their implications on aesthetic
debates and characteristics of popular folk music in Serbia.
Кључне речи:
urban folk music / popular music in Serbia / newly-composed folk music / old urban musicИзвор:
Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017, 2019, 39-50Издавач:
- Wiesbaden : Springer
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
- City Sonic Ecology: Urban Soundscapes of Bern, Ljubljana and Belgrade
Повезане информације:
- Повезани садржај
https://data.snf.ch/grants/grant/152260
DOI: 10.1007/978-3-658-25253-3_4
ISBN: 978-3-658-25252-6
ISSN: 2570-0367; 2570-0383
[ Google Scholar ]Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Dumnić Vilotijević, Marija PY - 2019 UR - https://dais.sanu.ac.rs/123456789/14293 AB - This paper deals with urban folk music in Serbia (whilst considering its roots in pre-World War II Yugoslavia). During its history this music was influenced by cultural practices from the (Ottoman) East and from the West (from Austro- Hungarian to contemporary global pop), combined with local semi-rural lyrical repertoire. Urban folk music is regarded as specific traditional Balkan popular music. Urban folk music before World War II was a starting point for the later segregation of popular folk genres – “newly-composed folk” and “old urban” music. The first one was nominally progressive, designed for wider audience, based on rural music motifs but modernized by instruments (from accordions to an electric band). The second one was developed around the 1970s as a response to this phenomenon, and it was purposely regressive, evoking pre-World War II urban folk music by a particular repertoire and acoustic performance. Ever since they appeared, they have had a dynamic relation on popular music market. Their quality opposition is important, based not only on the attitudes about “authentic” folk music, but also on the use of influences from the West. According to the results of archival work and interviews with authors of “old urban music”, this paper explores traces of global popular music, their implications on aesthetic debates and characteristics of popular folk music in Serbia. PB - Wiesbaden : Springer T2 - Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017 T1 - Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century SP - 39 EP - 50 DO - 10.1007/978-3-658-25253-3_4 UR - https://hdl.handle.net/21.15107/rcub_dais_14293 ER -
@inbook{ author = "Dumnić Vilotijević, Marija", year = "2019", abstract = "This paper deals with urban folk music in Serbia (whilst considering its roots in pre-World War II Yugoslavia). During its history this music was influenced by cultural practices from the (Ottoman) East and from the West (from Austro- Hungarian to contemporary global pop), combined with local semi-rural lyrical repertoire. Urban folk music is regarded as specific traditional Balkan popular music. Urban folk music before World War II was a starting point for the later segregation of popular folk genres – “newly-composed folk” and “old urban” music. The first one was nominally progressive, designed for wider audience, based on rural music motifs but modernized by instruments (from accordions to an electric band). The second one was developed around the 1970s as a response to this phenomenon, and it was purposely regressive, evoking pre-World War II urban folk music by a particular repertoire and acoustic performance. Ever since they appeared, they have had a dynamic relation on popular music market. Their quality opposition is important, based not only on the attitudes about “authentic” folk music, but also on the use of influences from the West. According to the results of archival work and interviews with authors of “old urban music”, this paper explores traces of global popular music, their implications on aesthetic debates and characteristics of popular folk music in Serbia.", publisher = "Wiesbaden : Springer", journal = "Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017", booktitle = "Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century", pages = "39-50", doi = "10.1007/978-3-658-25253-3_4", url = "https://hdl.handle.net/21.15107/rcub_dais_14293" }
Dumnić Vilotijević, M.. (2019). Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century. in Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017 Wiesbaden : Springer., 39-50. https://doi.org/10.1007/978-3-658-25253-3_4 https://hdl.handle.net/21.15107/rcub_dais_14293
Dumnić Vilotijević M. Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century. in Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017. 2019;:39-50. doi:10.1007/978-3-658-25253-3_4 https://hdl.handle.net/21.15107/rcub_dais_14293 .
Dumnić Vilotijević, Marija, "Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century" in Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017 (2019):39-50, https://doi.org/10.1007/978-3-658-25253-3_4 ., https://hdl.handle.net/21.15107/rcub_dais_14293 .
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